Oceano Dunes bring back some fond memories, and some of my favorite photos. I have visited a couple of times, and each visit I find new vistas and details. The first photo is a Vista looking from the dunes to the Pacific Ocean in the late afternoon. I like the long stretches of dunes with the shadows as well as the atmospheric haze of the ocean in the horizon. All photos in this post are with a Leica M6 and Agfa 400 film and a Yellow filter for added contrast. The dunes allow you to photograph both details and long shots which are rewarding.
Chiaroscuro light used in this photo creates a precarious balance of the dunes.
The detail of the partially filled bottle on the sand creates drama as the side light rakes across the sand and illuminates the bottle. I like the shape of what looks like a bottle stand that creates to me a magic lantern.
Kelp is everywhere. I framed these kelp pods in a harmonious way as the side lighting brushes them in the late afternoon light.
Just a quick post. A trip just outside Las Vegas to photograph some scenery. I believe the location is called Red Rock. This frame of the rock that mimics the head of a fish, so I named the photo Rock Fish. I photographed with Kodak TMZ 3200 ISO film on a Leica M6. I think the high-speed film helped with the contrast photographing in the shade.
Where will the winds guide you this Labor Day weekend? Kelso Dunes Wilderness details. Located in Baker, California.
A Horizontal provides a serene composition. Yes, that is a spider web on the left leaf tip at 2 o’clock.
I like the repeating circular pattern in the sand that the swirling wind provided pushing the plant back and forth Photographed with a borrowed Leica M6 and Agfa 25 film. This trip was a first time shooting with a Leica rangefinder. I was shooting up to this point with a 4×5. A good friend said hey take my Leica along and shoot some photos with it. After this trip, I bought a Leica M6 and left the 4×5 at home.
Happy 100th birthday, National Parks Service! Memorial weekend 1980 I took this photo from Yosemite Valley looking upwards to Yosemite Falls. The moon was full that night and the sound created by the waterfall was awesome. I photographed using my Mamiya C330 with Kodak Ektachrome 200. The exposure was two minutes at ƒ/2.8.
An energetic cloud formation above Death Valley National Park. Happy 100th birthday, National Park Service! Photographed with Agfa 25 film on a Canon EOS1-N camera. Scanned on a Nikon 9000ED with Vuescan Software.
Badlands detail at Zabriskie Point in Death Valley National Park. The unusual topography created by erosion forming mounds of mudstone into interesting geometric shapes. I photographed using Kodak HIE Infrared film with an 87C opaque filter on a Leica M6 Camera. I scanned the film with a Nikon 9000ED scanner using VueScan software on my MacPro running El Capitan OS.
Hawaiian Chicken for Foster Farms using organic chicken. More of the lighting details under the Food section of this site. This photoshoot was for my sister’s blog and will post soon. I will send the link when it’s published. She did the food prep, and most of the props. More about that process after it publishes.
This is the test shot the day prior to shooting. I wanted to check out ratios with the Profoto B1’s. I wanted to achieve a window light quality.
A detail of the skillet with some braised Hawaiian chicken.
This is a photo portrait from the year 2000 of entertainer Connie Stevens taken at her home in Los Angeles, California. I used all tungsten lights and my Hasselblad 500CM with 150mm ƒ/4.0 Sonnar lens using Fuji Professional NPL 120 film. For lighting I travelled with and used 2- 650 Arri spots with barn doors for hair and background lights. 1- LTM pepper 100 spot with barn doors and ND and diffusion filters for key light and 1-Lowel Tota 650 with speed ring and 4×6 soft box that I rigged with a computer fan for fill light.
So after reading about the improvements on the Canon EF 35mm f/1.4L II USM Lens . I decided to purchase one on Amazon.com. The earlier Stumptown coffee photos were taken with this lens. After a visit to my sister’s home she sent us home with some flowers to photograph. I didn’t get to photographing them till they were wilted, but tried to compose an interesting photo none the less. Canon 5D Mark III camera shot at 1.4.
This was one of mine first architectural jobs out of college. This restaurant was in the Breakers building in Long Beach, California. It was especially a challenge with the addition of neon. I captured the images on a Toyo 4×5 camera with a 75mm ƒ/5.6 Fujinon wide angle lens. The lens was good for interiors with a curvature of focus which increased depth of field for interior photographs. The exposure was on Kodak Ektachrome 64T with an exposure of 4 minutes for the tungsten lights and 5 seconds for the neon. I accented areas with a tungsten soft box.
TBF. After a day of fishing I had a few minutes to walk around the harbor before dinner and these parked Kayak’s caught my attention. The mountain reflection framed the top of the photo and the bottom kayak makes for an inviting composition. I used my Canon 10D DSLR and a 20mm ƒ/2.8 wide angle lens. No filter was used.
TBT photo of Christo’s umbrellas in Tejon Pass, California. A storm was forming and I was shooting Kodak Infrared film with an opaque filter on a Leica M6. I framed this photo and was pleased with the frame from left to right though I felt the photo was more dramatic with the bottom cropped up a bit.